03/11/01 |
List of Compliations
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Melonie Daniels
The masterful vocal ability of Melonie Daniels has been beautiful music to the ears of
many people since she was the tender age of three. Since this young age, Melonie has
taken her God-given gifts and enhanced them by learning form the best in church and school
choirs. Melonie furthered her formal education at Five Towns Gospel Choir and as the
assistant director of the school chorus under the direction of Beth Goodrich.
Melonie has taken her diverse musical styles and graced many recording for major artists
and groups. Among these artists are Superstar Mariah Carey for whom Melonie is a
lead background vocalist and coordinator of the background choirs. C+C Music
Factory, Aretha Franklin, Ann Nesby, Sound of Blackness, Frankie Knuckles, Adeva, Trey
Lorenz, and Chris Jasper are also a few of the artists and groups who have utilized
Melonie's gifts.
Not only is this impelling singer an asset in the studio, but Melonie is also a powerful
stage performer as well. Miss Daniels has perfected her gospel style for the past
seven years in her gospel group, The Love, Joy and Peace Singers. With this group,
Melonie has won second prize in the McDonald's Gospel fest at Carnegie Hall. The
Love, Joy and Peace Singers have also opened for great gospel music acts including Vanessa
Bell Armstrong, Shirley Caesar, Edwin Hawkins, Walter Hawkins, Lawrence Matthews, O'Landa
Draper, John P. Kee, Daryl Coley, Karen Clark-Sheard, and a host of others.
Melonie's musical path has led her to vocal artistry in venues as the 1992 Grammy Awards,
The Arsenio Hall Show, Top of the Pops, Mariah Carey's Christmas Special, Thanksgiving
Special MTV's Unplugged, the Fall/Winter Tour 1993, and the Late Show with David
Letterman, Melonie has also performed live with George Michael, Noel Pointer, the Clark
Sisters, and Mavis Staples.
With all her accomplishments, Melonie yet remains humbled and thankful for the great gift
she was so freely given.
It's been said by many that words couldn't possibly describe the angelic tones that emit
from Melonie Daniels. Once you hear a few notes form this phenomenal singer you are
sure to be left speechless.
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Lord G
From the time Lord G was born, his life has always been surrounded by music. He was
raised by his mom who introduced him to disco and salsa music. Raised on the tough
streets of NYC's Lower East Side, G also grew up listening to the men on the corner
banging their congas and chanting all day. but like all rebellious young teenagers
Lord G searched for a very different kind of music, taking him to the new sounds of the
street. He was introduced to house music and knew immediately that he had found his
niche.
At the age of 15, Lord G received his first set of turntables as a gift from his mother.
A year later Lord G along with a latin DJ and a hip hop DJ formed what turned out
to be the best DJ production company in their area. They were booked every weekend
for everything from house parties to wedding receptions. G's first club spot was in
a small party in the back room of Danceteria. It was there he got his first big
break in 1993. The promoters of Cafe Con Leche wanted Lord G to play at their party.
As the party grew more popular, so did Lord G. He started meeting music
industry greats including Frankie Knuckles, Little Louie Vega, and the late David Cole.
But G's opportunities did not stop there. One of the promoters of Cage Con
Leche decided they wanted G for more serious music oriented parties on Thursdays at the
Sound Factory Bar. That was when Lord G knew he was on his way.
In 1993 Lord G met Judy Weinstein and joined "For The Record" record pool.
Since then he's been playing around the world with guest spots at KOX in Montreal,
Club Queen and Le Palace in Paris, plus two tours in Japan. He is currently Djing at
the Palladium in NY, and programming a mix show for WKTU every Saturday night. You
can also see him on MTV's "The Grind" as a guest DJ.
Lord G has taken his first steps as a producer. His first remixes, Bjork "I
Miss You" and El General "Samba Hey", make it pretty obvious that the world
has not heard the last of this young talented DJ/Producer. Lord G has only just
begun ...
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Frankie Knuckles
The man many call the godfather of house, Frankie Knuckles began DJing in
New York in the early 1970s while still a teenager, years before the disco boom which
proved to be the first flowering of modern dance music. Ten years later he was in Chicago,
putting together megamixes of old disco hits with new drum-machine percussion for an
appreciative audience at crucial clubs like the Music Box and the Warehouse. Another
decade on from those first formative steps for house music, Knuckles was back in his New
York home, working as a producer and remixer for the biggest pop stars in the business.
His career spans more time than any dance producer and without him, the landscape would be
immeasurably different. Born in the Bronx in 1955, Knuckles listened to a lot of jazz
as a child, thanks to his sister's record collection. He studied commercial art and
costume design before taking his first job as a DJ in 1971. Several years later, he hooked
up with childhood friend Larry Levan and the two began working at Nicky Siano's New York
club, the Gallery. Levan later moved to the Continental Baths, and Knuckles worked at
another club for several months before rejoining Levan. Again, Levan left -- this time to
set up his own club, the Soho Place -- and Knuckles continued on until the Continental
Baths was closed. A group of entrepreneurs initially approached Levan about becoming the
DJ at a club they were starting in Chicago; instead of abandoning the interest in his own
club, he declined but suggested his friend Frankie Knuckles.
Knuckles moved to Chicago in 1977 and began DJing at the Warehouse, spinning Salsoul
and Philadelphia Int'l records in front of a crowd unused to the New York DJing style,
which included beat-mixing and the addition of percussion fills (from a separate
turntable) to spruce up the sound of traditional soul. In 1983, Knuckles opened his own
club, the Power Plant. While Ron Hardy was entrancing a largely gay, uptown crowd at the
Music Box, Knuckles introduced the sound to many of the Southside producers who made waves
during the 1980s: Marshall Jefferson, Larry Heard, Adonis, Steve "Silk" Hurley
and at least half a dozen others.
After more than 15 years spinning vinyl, Frankie Knuckles began recording as well,
debuting with several singles released on the seminal Trax Records. Such efforts as
"Your Love," "Baby Wants to Ride," "You Got the Love" and
"Angel" (most credited to Knuckles though vocalist Jamie Principle undoubtedly
exercised some influence) were among the best tracks released in the Chicago house
explosion of the mid-'80s. Knuckles also recorded for Danica ("Let the Music Use
You") and worked with younger producers like Marshall Jefferson as well as future
Fingers, Inc. vocalist Robert Owens. Just as Chicago house began spreading worldwide
during 1986-87 though, Knuckles returned to New York. He formed Def Mix Productions with
David Morales (one of the other major names in house music) and began working on house
treatments for the biggest pop stars of the 1980s and '90s, including Michael Jackson,
Diana Ross, Chaka Khan, Inner City and En Vogue.
Despite the popularity of house in the international arena, the godfather of the music
waited several years before the major labels came calling for something other than a
remix. Finally, Virgin signed him to an artist contract in 1991 and released his debut
album Beyond the Mix. The singles "The Whistle Song,"
"Rainfalls" and "Workout" moved up the dance charts, though the album
failed to connect with pop or R&B fans. Knuckles continued to produce singles and
remix tracks, while his second album Welcome to the Real World was released in
1995. -- John
Bush, All Music Guide
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Lyrics
Verse I
No one knows just what tomorrow may bring
People may not see the vision you're seeing
But don't you worry
About their negativity
You've gotta be strong
Keep on holdin' on
Chorus
Don't you ever give up
'Cause you're gonna make it
Just as long as you try
Don't you ever give up
'Cause you're gonna make it
Lift your head to the sky
Verse II
I know sometimes it may seem to be too hard
And when you try to do right everything turns out wrong
But the dreams that you dream
And if no one else believes
They'll come true someday
Just as long as you keep the faith
Repeat Chorus
Repeat Chorus
Bridge
Sometimes dark clouds may block your sunshine
But that's when you make your dreams become your guiding light
Refrain
Don't give up (Ad Libs)
Publishing Credits
Lyrics By: Duane Harden
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